Campari? Why yes I think I will.

My fondness for Campari is well-established.

I’d love to have had the chance to partake in this – a breathable cloud of Campari gas.  It was developed for an event in Milan in which Campari was served three ways – a straight drink, alcoholic jellies in the shape of Italian design classics and a breathable cloud. (Courtesy of Notcot, more pictures here.)

Then there are these, a series of label designs commemorating 150 years of Campari. (Courtesy of Sutkutusu.)

A water jug. But so much more than that.

This is a water jug from Umbra, designed by Luciano Lorenzatti. It’s really quite beautiful.  Whenever I imagine myself in one of those ‘this is what my life should have been like’ scenes, this jug will now feature.

As I generally imagine the scene I am having a meeting with Alex Bogusky, who has dropped by to ask if I might consider him for a role in my agency.  I greet him wearing a Norton & Sons suit, Charvet shirt and Alexander Olch tie. I offer him a seat in a Nendo Fadeout chair from which he is able to admire Mark Ryden’s ‘California Brown Bear‘ (a gift from the artist).  Once Alex is comfortable I offer him a glass of water. He graciously accepts and the water is poured from the Umbra jug by my assistant, Anne Hathaway.

Because that, at least as I like to imagine it, is how I roll.

Three new things I’d like in my office.

This desk, by Beatus Kopp, provides a wonderfully simple solution to an everyday problem.  Hollow legs provide the obvious place to hide power cords and cables.

I’m enjoying letterheadlove.com, which, as the name suggests, is a site dedicated to letterhead design.

And I desperately want one of these for my wall.  A periodic table of typefaces.

app.itize.us – The best in Apps

This site’s mission is clear – a painstakingly curated presentation of the best produced and designed iPhone applications that are available for download via the App Store.

And they’re not kidding. Visit only if you have an iPhone and time on your hands.

Wired and Adobe demo for iPad

A video from Wired and Adobe showcasing their plans for delivering the magazine for the iPad.

I’ve found a house.

I mentioned yesterday that I’m looking to buy a house. I’ve found one I want.

Unfortunately it’s a toy house (alright, it’s a dolls’ house). It’s made by a German company, Sirch. It’s clearly for children who play with dolls that come with their own scaled down fixed-wheel bike, a pair of mini Stan Smith Originals and a junior Jack Spade messenger bag containing an illustrated version of something by Alain de Botton.

Can you imagine how many Monocle readers will be buying one of these for their children for Christmas?  Me, for one.

The future has arrived. And I’m not a little excited.

When I was a kid this is what I imagined the future would look like. More than flying cars and food in pill-form, projected touch screens were absolutely the coolest thing I could imagine.

Which means I cannot describe how badly I want one of these.

I wish I was where I was when I was wishing I was here.

I love this.  It’s a piece from the If You Could Collaborate exhibition in the UK. Creative Review writes about it here.

It’s a lovely bit of type, beautifully crafted from wood by Craig Ward, Sean Freeman and Alison Carmichael.

And, at the risk of sounding both dreadfully melancholic and utterly self-absorbed, I can’t help agreeing with the sentiment.

Aston Martin Cygnet

By any measure, this is not an attractive car.  It’s interesting, but I’d suggest it’s not attractive.  What’s surprising is that it’s from the company renowned for making perhaps the most beautiful cars in the world. It’s intended to go into production next year.

My first reaction is to think that this is completely at odds with the Aston Martin the world knows, a brand that, since its recent resurgence, seems entirely about making cars that are defiantly big-engined, fast and expensive, in the process flipping the bird to environmentalists, speed-camera advocates and poor people.  (In fact Aston Martin doesn’t flip people the bird. Aston Martin flips people the pheasant.)

Which makes we want to react badly to the Cygnet.  It’s so resoundingly not Aston Martin. It’s small and responsible.  But it is nicely designed, and not without a certain, ugly-duckling style (reflected in the nicely self-deprecating name for the model).

But I think it’s a brilliant idea.  Because you can only buy a Cygnet if you already own an Aston Martin.  It’s being sold on the basis that it’s what Aston drivers will use for short journeys, with their ‘real’ car only brought out when the trip justifies it.

Which I think is inspired on two levels.

One is that in this day and age, even Aston’s core market must be starting to struggle a little with the enviro-carnage wreaked by cars of its ilk.  While I’d imagine that most of that market doesn’t exactly find itself wracked with guilt, lying awake of a night on its 1000 thread count sheets, it does still feel the occasional pang.  And using the Cygnet a couple of days a week assuages that guilt, but it does it, importantly, in a very public way.  Because, at the risk of being more than a little cynical, the problem with so much ‘offset’ behaviour is that no one knows you’re doing a good thing. And while public approbation shouldn’t be a motivation, it resoundingly is, and driving a Cygnet makes the gesture public.

The other is that I bet the Cygnet will acquire a degree of snob value even greater than that of the ‘real’ Aston Martin.  The Cygnet basically says that you are rich/successful enough to own an Aston Martin, but secure/unpretentious enough not to need to drive it.  Which is a delightfully public display of understatement (like the deliberately frayed shirt collars that I’m told are very popular with the English aristocracy).

So the Cygnet is effectively Aston Martin’s offset programme – you offset your environmental impact, and your conspicuous consumption, in one very public gesture. Brilliant.

Dear Santa, My name is Philip, I’ve been a reasonably good boy and for Christmas I would like…

A couple of new products I’m hoping I might find under the Christmas Tree.

The Scratch & Scroll mousepad


You write on it with your finger (or a stylus) then lift the top layer of the pad and everything erases.  Just like an etch-a-sketch.

(It’s from a really interesting source, too.  Quirky.com develops products through a kind of crowdsourcing.  I also really like the Split Stick, a double-sided USB drive – one side for business, one side for personal. Visit the site, there’s some interesting stuff.)

The Fadeout Chair

From the very clever people at Nendo. Via the rather cunning application of acrylic legs, hand-painted to give the impression of wood grain, these chairs effectively float.

Too cool.

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